The purpose of this study was to analyze 『Dong-hak-je(東學祭)』, which is Han Seung-won's long epic novel, by applying a concept of ritual, not a concept of revolution. Examining the actual narrative progression, Han Seungwon's 『Dong-hak-je(東學祭)』 is putting background in the historical event called Donghak revolution, but can be known to be developed narration through the author's novel aesthetics. That is to say, in Han Seung-won's 『Dong-hak-je』, an action of dedicating sacrifice through a ritual is also the process of making a desire. An aspiration of characters, who appear through the narration of『Dong-hak-je』, can be divided largely into a desire of aiming to remove the existence of suppression and a desire of aiming to proceed with maintaining the existence. The former was the aspiration of the subjugated class and also the desire of Donghakdoin(s). On the other hand, the latter was the aspiration of the ruling class and Yangban(兩班, aristocrat). These wishes that the characters in the narration of 『Dong-hak-je』 were progressed by having background as the historical event called Donghak revolution. Even the interpretation and the connection in its aspiration are divided largely into two parts. Lee In-han, who is Donghak-jeopju(東學接主) in Daerim, disappears through the last battle in Donghak force(東學軍). Lee In-han, who had left the Shin clan with clarifying that he himself is a child of a slave, is returning to the Shin clan regardless of his intention along with death. Lee In-han aimed to escape from the Shin clan with disclosing Yangban's false, but is going back rather as a member of the family because of having been dead in the battle. Lee In-han's biological mother Mrs. Park bodily carried on a family line of the Shin clan by receiving a seed of a slave, and buried Lee In-han's corpse, which came from the battle, in the family ground, thereby making him return as a member of the Shin clan. According to this, the desire of the Shin clan is being ultimately achieved through the process of a ritual called Dong-hakje( 東學祭). Another interpretation of the aspiration is a combatant situation through positively intervening in reality toward the equal world. The Donghak forces, which participated in the battle against the Japanese army and the government forces, look like a group of crazy animals believing that they gain the battle. What is expressed in such image of Donghak forces was their desperate belief of wishing for being so rather than a desire that they have. It is what the Donghak forces are undoing their belief of pointing to the equal world in the battlefield. 『Dong-hak-je(東學祭)』 depicts the image of Pyeongsan & Mr. Ahn, Uam & Byeolnim who leave for a place dubbed Soando. The new world of heading for the last by them as those who suffered all the hardships and crises, namely, the island called Soando can be a place that isn't existed any obstacle of suppressing their love. As for them, that place is the world of Gaebyeok(開闢世上, the Dawn of Human Civilization) in the equal world. 『Dong-hak-je』 resulted in being the field(場) of ritual(祭儀) that shows how a desire of grass roots or an aspiration of the ruling power class is being progressed along with Donghak revolution and even after it.